Capitalism as Tragedy
When Heminges and Condell published Shakespeare’s First Folio in 1623, they classified King Lear as a tragedy and The Merchant of Venice as a comedy. The first is self-evident. Mental and physical abuse abound in King Lear, bringing chaos, injury and death. The Merchant of Venice, on the other hand, ends on an up-beat. A happy resolution is expressed in romantic poetry. And no-one actually dies.
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